Take a Look: Jeans Boots

jeans boots

A couple of weeks ago I wrote about Saskatonians Slow Down, Molasses. Today I want to introduce to you one of the members and her solo work, Jeanette Stewart, aka Jeans Boots.

Jeanette put out her debut album txt msgs on March 11, and it’s easily become one of my favourites of the year so far. Recorded live in her friend’s home in February in less than 48 hours, these six songs showcase her cool, confident writing style with her blend of soft, dreamy moments and those times she kinda, probably just wants to go kick some ass.

Here’s a bit of a play-by-play of txt msgs:

“Woonsocket” starts us in quickly only to slow us down again, repeatedly, as she sings about a relationship’s messy ending. The guitars really enforce that, especially after she exhales “was it anything at all?”

The next track, “Dark Forces,” has become my favourite of the album. It’s got a great, catchy chorus where she delicately sings “dark forces are at war with my heart and I’m trying so hard.” But after a few repetitions, it doesn’t sound like she’s trying hard at all, it sounds like she’s losing steam or just not caring as much anymore, and there’s something really endearing in that. We all get that way, and here it is, right in front of us. But I also love the song for the rolling guitar and percussion pairing, the “sooo hard” backup vocals and the buzzing guitar solos. When I saw her live (she played after the Slow, Down Molasses set at the Horseshoe), this song was the one that reeled me in, and her hair was all over the place (which just completed the cool stage atmosphere with Tyson and Ryan of SD,M). It changed my perception of her from what I had thought was something sweet and simple into something twisted, bad ass and groovy.

But “Money,” “Postcard” and “Moonbase” are also very high contenders on the album. The first showcases her sweetness masking kicking up dirt and her volume up a notch ( “so I’m going to run run run run run, get away, I’m going to run run run run run, make you pay”). The second is more heartwarming and fast-paced (“take this postcard, mail it off to someone so far, cause your dreams have come true your dreams have come true”). The third hits a high when she sings as if to your face, shaking her head while rolling her eyes, “you t-t-t-tease, what are you running from?” (and thus, she almost becomes the tease), then the song closes as her and the band let loose a bit more. “Old Growth” then ends the album on some softer more inspirational notes as she yelps “if music saves immortal souls, we’re on fire!”



Jeans Boots has created music that is commanding and peaceful all at the same time through her voice and penchant for repetition. She carries this confidence that we all want to have, and isn’t afraid to show her vulnerabilities behind that, either. All six of these songs are beautiful, with interesting lyrics and fun fuzzy guitars. Between rocking out, cooing or getting groovy, there’s tons to immerse yourself in. Sometimes her vocals are a bit hard to hear or the guitars might reach maximum fuzziness, but that comes with the live off the floor territory. I’m glad it was recorded this way, it gives the music a nice texture, although now I’m curious to know what future studio recorded material will sound like.

Jeans Boots doesn’t have any shows coming up as far as I know (she did just come off a long cross-Canada tour…) but you can stream/buy (“Money” and “Moonbase” are free) txt msgs on her BandCamp and that’ll satisfy you for a while.

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