Today, we’re getting a sparkling dose of new wave, low-fi bedroom experimentation and off-kilter indie pop.
I’ve been aware of this Toronto band for a while, but it wasn’t until recently that I decided to put some verb into the sedentary thought bubble. I’m particularly keen on their single, “Realpolitik,” off their November-released album .272. It is hollow, electric and explosive. “Dancing’s all I can do lately, I’m so tired of everything,” is an easily identifiable line, and yet so blissfully ironic. The Wilderness are part glam, part new wave and part gritty electro rock. There’s definitely a little bit of something in there for numerous different kinds of listeners. Sometimes the instrumentation gets much more action than the vocals, which leaves the vocalist in this state of floating with some upwards static movement. .272 is like those neon lights you see at night through the car window as you blaze down the street, adding detail to a world that can otherwise be drab. You can stream the album on the band’s BandCamp page. Here’s a plus: see them at the Great Hall this Saturday with The Ruby Spirit, Bella Clava and more for the Band of Heroes comic book launch.
While I may only have a certain amount of appreciation for bedroom low-fi pop, that means whatever does break through the barriers is impressive to me. Enter Alberta’s Garrett Johnson, aka Brazilian Money. Johnson actually recorded the album This is Not a Dream while feeling isolated from fun in Kelowna, BC. The product is a bit goofy, what with song titles like “Give Up That Dog” and “Bianca, Make Out With Yr Boyfriend!” Johnson is total funk and soul, from his high-pitched belts to the sassy looped guitar. It’s all covered in glitter and marked with post-its of reminders to go to the beach or pick up some party favours. There’s plenty to take in on this album, from warped noises to wide eyes. It’s quirk that I plan to keep around for the summertime. Stream the album on the BandCamp page.
Though the name doesn’t really conjure up the best image, Rattail is a promising new sound to my ears. This Toronto band has recently released four songs re-worked, which you can stream on their BandCamp page. Opener “I Swim” is a fluid, tribal electro daze, “George Tronic” is a slow, subtly distorted ballad with some really neat lyrics (“I share my eyes with you in hopes that my hands can be free, cross my bones and hope to die for you”), “ByeBye” takes things a bit more experimental with samples of funny vocal techniques and strings and “The Heat” has some nice melodies. Rattail has this weird underwater pioneer texture to them that I dig, it’s odd and adventurous but it feels smooth and comforting at the same time.